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Pendulum Process

At present, my working process is very close to a meditative act. My new studio process involves physical struggle, the law of gravity, chemistry, and ingenuity. I’ve found a “viral” means of mark-making that allows for hundreds, even thousands of marks, lines, and shapes to be thrown onto the paper or canvas all at once. My process is specifically designed for EXCESS----- with so many visual ideas emerging at once, the overwhelmingly vast majority are discarded. I want the unexpected, my goal is to spark ideas that otherwise wouldn’t appear with a more deliberative, considered approach. My first stage is all about QUANTITY…. Judgement, analysis, and editing occur in later stages.

Short Biography

Anthony Fisher received his MFA from Yale University and his BFA from Carnegie-Mellon University. You can learn about his work visiting his website at anthonyfisher.net   Nationally, Mr. Fisher exhibits at Galerie Mourlot in New York City. Fisher’s latest solo exhibit in NYC was in 2018, his fifth since 2003. He has received reviews of his work in Art News, Art Critical, and Painting Perceptions. Mr. Fisher’s work is included in private and public collections.

Anthony lives and paints just outside Boston in a community of other artists in what was once an elementary school.  Anthony’s wife Laura is a psychiatrist and psychoanalyst, his two sons, Adam and Luke, are currently in PhD programs for Marine Microbiology and Plasma Physics. Anthony describes himself as a distinct “outlier” in his family… always messy, rambunctious, and playing games with paint. He has been a university teacher for twenty-seven years.

Statement about the work

The quality of drawing that particularly interests me can be measured by the extent to which it summons compelling thoughts, feelings, and ideas into the mind of the viewer. It is profound that innovations and the strategic organization of a handful of marks and erasures can both simultaneously evoke potent, vivid descriptions and the presence and sensations of an underlying psyche. Just as the carefully crafted combinations of words in a poem rely heavily on the audial sounds of those words for effective emanation of it’s content, the drawing relies on pre-cognitive visual stimulation from very particular animation imbued in the mark.

Through obsessive scraping and erasing my charcoal becomes increasingly animated and agitated. Until something emerges from my material that embodies and evokes a particular presence, I fold my constructions back into the inert material and try over and over again to provoke and imbue it with meaning. As a process, drawing is less “encumbered” than painting. Ideas and goals are more transparent and closer to the surface. Drawing always leads me to technical improvements and deeper, clearer content in my paintings. I draw as often as I paint.

Selected Exhibitions:

2018   Galerie Mourlot, NY, NY Solo Show, “Turbulent States”

2017   University of North Carolina, International Juried Show, Asheville, NC“8th Annual Drawing Discourse”

2016    Indiana University Center for Art & Design, “Drawing and the Brain”

Invitational symposium and exhibition, Columbus, IN

2015    Oresman Gallery, Smith College, Solo Show, “New Work” Smith College, Northampton, MA

First Street Gallery, NY, NY “2015 National Juried Exhibition”

2013    Galerie Mourlot, NY, NY Solo Show, “Portraits”

2012    Unit One Gallery, Group Show, 798 Art District, Beijing China, “Drawing and Drawings”

Markowicz Fine Art, Art Fair, Miami FL, “Art Basel/Miami Beach”

Wright State University, Two-Person Show, Dayton OH,

“Donald Beal and Anthony Fisher: Paintings and Drawings”

2011    Manifest Creative Research Gallery, Cincinnati OH,

“Tapped: Professors and Former Students” Cotuit Center for The Arts, Cotuit MA, Solo Show,

“Anthony Fisher: Paintings and Drawings 2007-2011”

Zolla Lieberman Gallery, Chicago IL, “Group Exhibition”

2010   Galerie Mourlot, NY, NY Solo Show, “Portraits”

2009    Eli Marsh Gallery, Amherst College, Solo Show, “Recent Paintings”

2008    Daneyal Mahmood Gallery, NY, NY “Meat After Meat Joy”

2007   Galerie Mourlot, NY, NY Solo Show, “New Paintings”

2004   Greer Museum, Rio Grande OH, “Five New England Artists”

2003   Prince Street Gallery, NY, NY Solo Show, “New Paintings”

2002   Prince Street Gallery, NY, NY “New Gallery Artists”

2001   Bowling Green University, Bowling Green OH, “Personal Spaces”

1997   Robert Steele Gallery, NY NY, “Intimate Universe (Revisited)”

1996   O’Hara Gallery, NY NY, “The Small Painting”

 

Education:

 MFA, Yale University School of Art, New Haven CT

 BFA, Carnegie-Mellon University, Pittsburgh PA

 

Teaching:

2008 – present  Associate Professor, University of MA, Dartmouth

1999 – 2008  Faculty, School of the Museum of Fine Arts, Boston

 

Claflin School Studios
449 Lowell Avenue
Newtonville, 02460
Telephone: 617-964-2845
a.anthonyfisher@comcast.net